Between improvisation, composition, and sound research

 

 

 

  Introduction

 

  Table of contents

 

  Bibliography

 

  Nortesur 

 

 

 

 

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Badura-Skoda, Eva, 1980. ‘Performance Conventions in Beethoven’s Early Works’, in Beethoven, Performers, and Critics (The International Beethoven Congress. Detroit, 1977), edited by Robert Winter and Bruce Carr. Detroit: Wayne State University Press: 52-76

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Beahrs, Virginia, 1998. ‘The Beethoven-Malfatti Connection Revisited’, in The Beethoven Journal, vol. 13, nº 1: 12-16

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Benson, Bruce Ellis, 2003. The Improvisation of Musical Dialogue: A Phenomenology of Music. Cambridge: Cambridge University Press

Bent, Ian, 1984. ‘The “Compositional Process” in Music Theory 1713-1850’, in Music Análisis, vol. 3, nº 1, 29-55

Bent, Ian (ed.), 1996. Music Theory in the Age of Romanticism. Cambridge: Cambridge University Press

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Biba, Otto, 1977. ‘Concert Life in Beethoven’s Vienna’, in Beethoven, Performers, and Critics (The International Beethoven Congress. Detroit, 1977), edited by Robert Winter and Bruce Carr. Detroit: Wayne State University Press: 77-93

Blasius, Leslie David, 1996. ‘The Mechanics of sensation and the construction of the Romantic musical experience’, in Music Theory in the Age of Romanticism, edited by Ian Bent. Cambridge: Cambridge University Press: 3-24

Block, Geoffrey, 1979. The Genesis of Beethoven’s Piano Concertos in C Major (Op. 15) and B-flat Major (Op. 19): Chronology and Compositional Process. 2 vols. Ph.D. diss., Harvard University

Block, Geoffrey, 1984. ‘Some Gray Areas in the Evolution of Beethoven’s Piano Concerto in B-flat Major, Op. 19’, in Beethoven Essays. Studies in Honor of Elliot Forbes, edited by Lewis Lockwood and Phyllis Benjamin. Cambridge: Harvard University Press

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Bonds, Mark Evan, 2006. Music as Thought: Listening to the Symphony in the Age of Beethoven. Princeton & Oxford: Princeton University Press 

Boorman, Stanley, 1999. ‘The Musical Text’, in Rethinking Music, edited by Nicholas Cook & Mark Everist. Oxford: Oxford University Press: 403-423

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Brandenburg, Sieghard, 1979. ‘Ein Skizzenbuch Beethovens aus dem Jahre 1812: Zur Chronologie des Petterschen Skizzenbuches’, in Goldschmidt, Harry (ed.): Zu Beethoven: Aufsätze und Annotationen. Berlin: Verlag Neue Musik: 117-148

Brandenburg, Sieghard (ed.), 1992. Ludwig van Beethoven: Ein Skizzenbuch aus dem Jahre 1809 (Landsberg 5). I. Faksimile [Beethoven. Skizze und Entwürfe, im Auftrag des Vorstandes herausgegeben von Sieghard Brandenburg. Band 7. Erster Teil]. Bonn: Beethoven-Haus

Brandenburg, Sieghard (ed.), 1996. Beethovens Briefwechsel Gesamtausgabe. 7 vols. München: Henle

Brandenburg, Sieghard (ed.), 2002. Ludwig van Beethoven: Klavierstück a-Moll WoO 59. Für Elise. Kritische Ausgabe mit Faksimile der Handschrift BH 116. Bonn: Beethoven-Haus

Brandenburg, Sieghard, & Staehelin, Martin, 1984. ‘Die “erste Fassung” von Beethovens Righini-Variationen’, in Elvers, Rudolf (ed.): Festschrift Albi Rosenthal. Tutzing: Hans Schneider: 43-66

Brenneis, Clemens (ed.), 1993. Ludwig van Beethoven: Ein Skizzenbuch aus dem Jahre 1809 (Landsberg 5). II. Übertragung, Einleitung und Kommentar von Clemens Brenneis. Bonn: Beethoven-Haus

Breuning, Gerhard von, 1992. Memories of Beethoven: From the House of the Black-Robed Spaniards, edited by Maynard Solomon. English translation by Henry Mins and Maynard Solomon of Aus dem Schwarzspanierhause: Erinnerungen an L. van Beethoven aus meiner Jugendzeit (Wien: Roesner, 1874). Cambridge  & New York: Cambridge University Press

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Burnham, Scott, 1996. ‘A. B. Marx and the gendering of sonata form’, in Music Theory in the Age of Romanticism, edited by Ian Bent. Cambridge: Cambridge University Press: 163-186

Burnham, Scott (ed.), 1997. Musical Form in the Age of Beethoven. Selected writings on theory and method by A. B. Marx. Cambridge: Cambridge University Press

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Cook, Nicholas, & Everist, Mark, 1999. Rethinking Music. Oxford: Oxford University Press

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Cooper, Barry, 1981. ‘The Origins of Beethoven’s D Minor Sonata Op. 31 No. 2’, in Music and Letters, vol. 62, nº 3/4: 261-280

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Cooper, Barry, 1986-87. ‘Beethoven’s Portfolio of Bagatelles’, in Journal of the Royal Musical Association, vol. 112, nº 2: 208-228

Cooper, Barry, 1987. ‘The Ink in Beethoven’s “Kafka” Sketch Miscellany’, in Music and Letters, vol. 68, nº 4: 315-332

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Cooper, Barry, 1998. ‘Beethoven's Fourth Fortepiano Concerto Revisited: A Response to Hans-Werner Küthen’, in The Beethoven Journal, vol. 13, nº 2: 70-72

Cooper, Barry, 1999. ‘Letter to the Editor’, in The Beethoven Journal, vol. 14, nº 1: 45-46

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Dahlhaus, Carl, 1987. Ludwig van Beethoven und seine Zeit. Laaber: Laaber-Verlag

Dahlhaus, Carl, 1989. Nineteenth-Century Music. Berkeley: University of California Press

Dahlhaus, Carl, 1990. Beethoven e il suo tempo. Torino: EDT

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